{"id":425,"date":"2023-10-22T02:10:24","date_gmt":"2023-10-22T09:10:24","guid":{"rendered":"https:\/\/seanmiller.us\/blog\/?p=425"},"modified":"2024-01-07T03:34:01","modified_gmt":"2024-01-07T11:34:01","slug":"parody-bibliography","status":"publish","type":"post","link":"https:\/\/seanmiller.us\/blog\/parody-bibliography\/","title":{"rendered":"Parody Bibliography"},"content":{"rendered":"\n<p>Bakhtin, Mikhail. &#8220;Rabelais and His World.&#8221; Indiana University Press, 1984.<br>Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist, University of Texas Press, 1981.<br>Caponi, Gena Dagel. Signifyin(g), Sanctifyin&#8217;, &amp; Slam Dunking: A Reader in African American Expressive Culture. University of Massachusetts Press, 1999.<br>Dentith, Simon. &#8220;Parody.&#8221; Routledge, 2000.<br>Double, Oliver. &#8220;Stand-Up! On Being a Comedian.&#8221; Methuen, 1997.<br>Dyer, Richard. &#8220;Pastiche.&#8221; Routledge, 2007.<br>Ebbesen, Jeffrey. &#8220;Postmodernism and its Others: The Fiction of Ishmael Reed, Kathy Acker, and Don DeLillo.&#8221; Routledge, 2006.<br>Elices Agudo, Juan Francisco. &#8220;Historical and Theoretical Approaches to English Satire,&#8221; 2004.<br>Eliot, T.S. &#8220;The Sacred Wood: Essays on Poetry and Criticism.&#8221; Methuen, 1920.<br>Fain, Gordon L. Ancient Greek Epigrams: Major Poets in Verse Translation. University of California Press, 2010.<br>Frye, Northrop. &#8220;Anatomy of Criticism: Four Essays.&#8221; Princeton University Press, 1957.<br>Gates, Henry Louis Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. Oxford University Press, 1988.<br>Genette, G\u00e9rard. &#8220;Palimpsests: Literature in the Second Degree.&#8221; University of Nebraska Press, 1997.<br>Gray, Jonathan, et al., editors. &#8220;Satire TV: Politics and Comedy in the Post-Network Era.&#8221; NYU Press, 2009.<br>Gray, Jonathan. Watching with The Simpsons: Television, Parody, and Intertextuality. Routledge, 2006.<br>Gross, John, editor. The Oxford Book of Parodies. Oxford University Press, 2010.<br>Harries, Dan. &#8220;Film Parody.&#8221; British Film Institute, 2000.<br>Hutcheon, Linda. &#8220;Irony, Nostalgia, and the Postmodern.&#8221; University of Toronto Press, 1998.<br>Hutcheon, Linda. &#8220;The Pragmatic Range of Parody.&#8221; A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Methuen, 1985.<br>Jones, Jeffrey P. &#8220;Entertaining Politics: Satiric Television and Political Engagement.&#8221; Rowman &amp; Littlefield, 2010.<br>Kinsella, Warren. &#8220;Kicking Ass in Canadian Politics.&#8221; Random House Canada, 2001.<br>Lutticken, Sven. &#8220;Secret Publicity: Essays on Contemporary Art.&#8221; NAi Publishers, 2005.<br>Morreall, John. &#8220;Comic Relief: A Comprehensive Philosophy of Humor.&#8221; Wiley-Blackwell, 2009.<br>Ore, Johnathan. &#8220;Youtuber Shane Dawsons Fans Revolt After Sony Pulls His Taylor Swift Parody Video,&#8221; 2014.<br>Petrosky, Anthony. Ways of Reading. Edited by David Bartholomae and Anthony Petroksky, 5th ed., Bedford\/St. Martin&#8217;s, 1999.<br>Pratt, Mary Louise. &#8220;Arts of the Contact Zone.&#8221; Profession, edited by David Bartholomae and Anthony Petroksky, 5th ed., MLA, 1991, pp. 33\u201340.<br>Pueo, Juan Carlos. Los Reflejos en Juego (Una Teor\u00eda de la Parodia). Tirant lo Blanch, 2002.<br>Quirk, Tom. &#8220;Mark Twain and Human Nature.&#8221; University of Missouri Press, 2007.<br>Rose, Margaret A. &#8220;Parody: Ancient, Modern, and Post-Modern.&#8221; Cambridge University Press, 1993.<br>Sangsue, Daniel. La Parodia, 2006.<br>Sheinberg, Esti. Irony, Satire, Parody and the Grotesque in the Music of Shostakovich, 2000.<br>Speier, Hans. &#8220;Wit and Politics: An Essay on Laughter and Power.&#8221; American Journal of Sociology, vol. 103, no. 5, 1998, pp. 1352-1401.<br>Stavans, Ilan, and Jesse H. Lytle, and Jennifer A. Mattson. Antiheroes: Mexico and its Detective Novel, 1997.<br>Test, George A. &#8220;Satire: Spirit and Art.&#8221; University of Tampa Press, 1991.<br>Zlobin, Arkadi. &#8220;Cultural Parody in George Orwell\u2019s &#8216;1984&#8217;.&#8221; Studies in the Novel, vol. 37, no. 3, 2005, pp. 303-320.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-post-author has-medium-font-size\"><div class=\"wp-block-post-author__avatar\"><img alt='' src='https:\/\/secure.gravatar.com\/avatar\/11d3e7b694b880d98b1512f1b2a63fbddd01eaa349e79c8da9f2628ccddec75a?s=96&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/11d3e7b694b880d98b1512f1b2a63fbddd01eaa349e79c8da9f2628ccddec75a?s=192&#038;d=mm&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' \/><\/div><div class=\"wp-block-post-author__content\"><p class=\"wp-block-post-author__byline\">Article author<\/p><p class=\"wp-block-post-author__name\">Dr. Sean<\/p><p class=\"wp-block-post-author__bio\">Sean Miller has a PhD in English from the University of London. When he&#8217;s not writing parodies and middle-grade comedy novels, he&#8217;s either building this comprehensive knowledge base about parody or cracking wise with his two daughters.<\/p><\/div><\/div><\/div><\/div>\n\n\n<div class=\"crp-list-container\"><h3 class=\"crp-list-title\">Related Articles<\/h3><ul class=\"crp-list\"><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/parody-1911-encyclopaedia-britannica\/\">&#8220;Parody&#8221; in the 1911 Encyclopaedia Britannica<\/a><\/div><\/li><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/genre-and-parody\/\">Genre and Parody<\/a><\/div><\/li><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/linda-hutcheons-a-theory-of-parody\/\">Linda Hutcheon&#8217;s A Theory of Parody<\/a><\/div><\/li><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/parody-glossary\/\">Parody Glossary<\/a><\/div><\/li><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/history-of-parody\/\">The History of Parody<\/a><\/div><\/li><li class=\"crp-list-item crp-list-item-image-none\"><div class=\"crp-list-item-title\"><a href=\"https:\/\/seanmiller.us\/blog\/what-is-parody\/\">What Is Parody?<\/a><\/div><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Bakhtin, Mikhail. &#8220;Rabelais and His World.&#8221; Indiana University Press, 1984.Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist, University of Texas Press, 1981.Caponi, Gena Dagel. Signifyin(g), Sanctifyin&#8217;, &amp; Slam Dunking: A Reader in African American Expressive Culture. University of Massachusetts Press, 1999.Dentith, Simon. &#8220;Parody.&#8221; Routledge, 2000.Double, &#8230; <a title=\"Parody Bibliography\" class=\"read-more\" href=\"https:\/\/seanmiller.us\/blog\/parody-bibliography\/\" aria-label=\"Read more about Parody Bibliography\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[7,9],"tags":[],"class_list":["post-425","post","type-post","status-publish","format-standard","hentry","category-parody","category-theory","no-featured-image-padding"],"_links":{"self":[{"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/posts\/425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/comments?post=425"}],"version-history":[{"count":6,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/posts\/425\/revisions"}],"predecessor-version":[{"id":891,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/posts\/425\/revisions\/891"}],"wp:attachment":[{"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/media?parent=425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/categories?post=425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/seanmiller.us\/blog\/wp-json\/wp\/v2\/tags?post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}